modern living + innovative design + inspiring ideas
Mary McDonald Pythagoras 16 3/4" Wide Brass Pendant Light
"This pendant is a chic accent to any modern décor."
- D. Morgan, Interior Designer
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Wall & Deco introduces an incredible new collection of of outdoor wallpaper called OUT-Outdoor Unconventional Texture. The visual solutions for exterior decoration will blow your mind. Graffiti and street art have greatly influenced the design culture in the last few years and now Wall & Deco has taken this concept to the next level and combined it with innovative technology to create something completely unexpected.
There are so many expressive possibilities which make these bold and graphic outdoor wallpapers an architects dream! Adding color and graphic wall murals into urban settings makes for happy places and it actually brings inspiration to communities. Goodbye outdoor tile, hello outdoor wallpaper! Just take a look at some of the amazing exterior applications.
BauHaus: This colorful graphic pattern creates such a bold contrast with the natural environment. Imagine how this could light up at night with the use of modern up lighting.
Kefia: The Houndstooth pattern adds sophistication to this modern architecture. Pair it with colorful outdoor chairs and let the fun begin!
Tokio Stripes: Black and white patterns are a bold, yet classic statement. Modern outdoor furniture in neutral tones helps maintain balance and doesn't compete with this bold pattern.
Pop Pop Pop: No repeat on this pop wall mural. Just look at how the image seems transparent and you can still see the "wall" behind it. Such amazing innovation.
Loren Ipsum: Combing the old with the new. How can that not be ancient text carved into a concete wall?
Camooo: Camouflage your building or create a bold graphic statement. Imagine using this on a government building in your downtown!
Wall & Deco has just proven to us that architecture is about to get more fun!
Images: Wall & Deco
Over the weekend, I attended Dwell on Design at the L.A. Convention Center. It's an annual event organized by Dwell Magazine and it includes a large showroom with hundreds of artists, vendors, manufacturers, etc. There are also panels discussing topics like sustainable design, innovations in product design and social media, etc. It was pretty awesome and inspiring for anyone who craves modern design. By far, my favorite moment was meeting the architect who designed the home featured on the July/August cover of Dwell (check it out, I got an autograph too).
Next up, I was awe-struck by the installation that greets you as you enter the main showroom (below). The artistic structure is constructed out of silver polypropylene rope looping around a steel frame. If you're interested, you can read about the process and see how this Oyler Wu Installation was created.
Jenny Wu describes the project, "Our interest in line-work is three-dimensional and spatial. This begs the question: How does a single line become spatial? Well, the simple answer is—it doesn't. A line only becomes three-dimensional when it becomes part of an aggregation of multiple lines that are not co-planar."
There were several architecture booths where I discovered my dream home. Huf Haus is a German based engineering and design firm that focuses on creating energy efficient, luxury homes. There was no way I wasn't going to snag one of their brochures and peruse their website after the show. This A-frame home with windows all the way to the top is magnificent!
I absolutely loved the outdoor living displays, which included pre-fab homes, campers, outdoor furniture, etc. In the photo below you can see the clear bubble pods that I want for sitting outside in the middle of a rain storm... now, doesn't that sound incredible?!
In addition to the outdoor living area, there were also several vendors throughout the showroom featuring plant related products. Potted had some truly creative pieces (shown below) that I want to put in my own home. With a shop located in the Los Feliz/Atwater area of Los Angeles, Potted provides an eclectic environment filled with an array of styles, from kitsch to cottage and vintage to modern. I just love this circular piece, which also comes in white!
Urbio was another a booth I spent a little time at. They have these really cool magnetic, modular pieces (shown below) that you can use for just about anything. But no doubt they look best with plants, especially succulents. They're great for using vertical wall space!
If you missed Dwell on Design this year, don't worry we have more recaps throughout the week, so stay tuned...
Images: Huf Haus, Potted, Urbio
Over the last three decades, a growing number of public "percent for art" programs have transformed commercial design projects into city cultural stewardship projects. How?
The concept is simple: for major commercial design projects (capital improvement projects and new developments), an increasing number of major cities require funders to earmark a set percentage of the overall budget for the purchase and installation of public art. Effectively, property developers become the arts benefactors and beautifiers of the cities within which they build.
While not all public art pieces are universally a hit, most would argue they certainly intrigue. Pictured above is Cradle, a 2010 installation by Ball-Nogues Studio for the Santa Monica Place shopping mall in Santa Monica, California.
One of the earliest adopters of the percent for art concept, Chicago began asking developers to earmark 1.33% of project costs back in 1978. Weighing in at 100 tons, Anish Kapoor's Cloud Gate (nicknamed "The Bean") is a favorite in Millennium Park.
The "Percent for Art" idea traces back domestically to the early 1960s and then chairman of the Philadelphia Redevelopment Authority Michael von Moschziskerhe. As von Moschziskerhe explained to TIME magazine in 1962, "I said to the other four members that maybe we could let it be known that we would look with favor on bidders who offered to spend 1% of construction costs on frescoes, murals, bas-reliefs, mosaics, stained-glass windows, and fountains with statuary in or around them...Psychologists and efficiency experts now find that beauty increases productivity. It necessarily follows that true functionalism in man-made edifices must include artistic expression."
Visitors to Los Angeles will recognize the "pylons" at LAX. This kinetic installation of multi-color lights by Paul Tzanetopoulos is the result of the city's 1% for art program.
The distinctive pylon look can be adapted to the home with torchiere floor lamps.
Possini Euro Design Hybrid Torchiere Accent Light Floor Lamp
Public art can be seen as a talking point, an eyesore, or a design centerpiece, as with Eclipse, a 40 foot high, 12-sided dodecahedron by artist Charles O. Perry located in the atrium Hyatt Regency in San Francisco's Embarcadero. I love the string lights hanging from the ceiling in the background. They remind me of the droplets on some of my favorite crystal chandeliers.
In the case of some public art, it can be so formally driven that it verges on looking functional. Can you tell which of the below is sculpture and which is a chandelier?
(Hint: One is the Bowling Ball Curtain sculpture by Eung Ho Park; the other is the Possini Euro Floating Bubble 6-Light Round Ceiling Fixture)
Public art infuses public spaces with color and interesting forms which inevitably become the common social and cultural bonds of a city.
Images: Ball-Nogues Studio, Art Observed, Daily News, Hyatt Regency, DM Contemporary
When we study eco-friendly architecture and landscape, it's not often that we come across a landscaped structure. Architect Andrew Maynard designed "Hill House" in Melbourne, Australia to be the exception. This once single structure residence has been turned into, not only a much larger home, but a study on combining architecture and building.
Melbourne is predominantly flat. This could be why Melbourne’s architecture is ambitious. There's no landscape to confine structure design, therefore buildings are free to become landscape.
The design goal was for a family of five to have a long-term residence, which could meet the requirements of three small children and their transformation into young adulthood. Above is the evolution of design toward that goal, starting with the just original building (white).
Fundamental issues offered Maynard a starting point and he noticed that the original structure faced North which relegated the backyard, where the family spent much of their time, to shadow throughout the year. This was not ideal.
The proposal was to build a new structure on the rear boundary, which was once the back yard.
The new structure now faces the sun and the pure cantilevered box above acts as the passive solar eave, cutting out summer sun, while letting winter sun flood in.
Upon entry, you can see (below) how the structure effects the interior, creating a lowered dining area. The change in floor level creates a bench seat for the Maynard designed "Zero Waste Table".
Despite structural efforts outside, there are ways for any interior to circulate aire and keep cool in the summer. There are some great modern ceiling fans the accomplish this without detracting from the decor. This fan below is our suggestion for achieving Maynard's design aesthetic.
Turbina Oil-Rubbed Bronze Ceiling Fan
Much of the color in Maynard's design comes from the landscape outside, but he had a little fun with the dining room. Multi-colored modern dining chairs is a great way to add personality to a minimally designed space. We suggest this red Eames-style dining chair.
Zuo Spire Red Dining Chair
Wouldn't it be fun to have a well designed attractive home that is also your playground? Apparently, Maynard is the go-to architect for innovative, fun and smart design. "Environmental issues and responsible, intelligent solutions are trademarks of his work, utilising clever concepts for a dynamic output. Clients come to Maynard when they’re seeking a unique and challenging solution..." Alaana Fitzpatrick, DQ magazine.
Images: Maynard Architects
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