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Dart Modern Bronze 21-Inch-WPendant Light
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Pyramid of the Magician, Uxmal
As I plan a trip to Mexico soon, somewhere I have been many times as a child, I can't help but do some research as I prepare for my trip as an adult. More specifically, an adult who loves design and architecture.
Mexico is a country built on tradition and history. As you tour its cities, you will see modern structures next to old, broken down buildings from ancient times. Rather than tear down and build new, much of the architectural philosophy is to build around and upward. Progress, but do not forget.
Maya civilization dominated southern Mesoamerica in the second half of the first millennium AD. Classic phase (600 to about 900) architecture (above) is characterized by an exquisite sense of proportion and design, seen in the structural refinement and subtle detailing.
The National Palace in Mexico City
Mexico's colonial history marked the collision of the European and Indigenous cultures, giving rise to a new form of art and architecture. Most colonial cities were planned around a plaza, which held the three main institutions: the cathedral, the administrative center (above) and the court.
Palacio de Bellas Artes
During the 19th and early 20th century Emperor Maximilian I brought a new set of urban design ideas to Mexico. Drawing from the mid-century Parisian redevelopment plan, he built a broad new diagonal avenue called Paseo de la Reforma. This elegant boulevard ran for miles from the downtown National Palace to the lush Chapultepec Park where the Austrian ruler lived. Neo-Gothic designs incorporated into the monumental public buildings, including its cultural center (above).
La Torre Latinoamericana
As modern times began to impact the urban design of Mexico, functionalism, expressionism, and other schools would leave their imprint, combining techniques and stylistic elements of Europe and North American techniques.
It's quite interesting to see modern Mexico develop and how it seems to be coming around full circle. I can't help but notice the similarities between The Soumaya Museum (above), completed in 2011, and The Pyramid of the Magician, Uxmal (top).
This stunningly modern structure houses one of the most important art collections in Latin America with over 6,200 artworks and 60,000 square feet of exhibition space. It also includes an auditorium for 350 people, library, offices, a restaurant, a gift shop and a multi-purpose gathering lounge.
This stunning structure is located in a former industrial zone dating from the 1940’s, providing the opportunity to play a key role in the reconversion of the area as a cultural center and defining a new model for Mexican and international architecture.
Structurally, this organic and asymmetrical design is constructed with twenty eight steel curved columns of different diameters, offering a soft non-linear circulation all through the building. Located at each floor level, seven ring beams provide a system that braces the structure and guarantees its stability. It widens at the top, where a roof suspended from a cantilever allows natural daylight onto the top floor gallery. The windowless facade is composed of hexagonal aluminium tiles. Strategic track lighting is great for complimenting natural light. The lack of any modern furniture, such as benches, keeps the space clean and leaving the spotlight on the art.
The study of modern design and architecture would be endlessly entertaining, but understanding it's history provides inspiration at an entirely new level. The develpment of entire cities goes hand-in-hand with the culture of that particular civilization, giving the architecture that emerges immesurable personality.
Images: MVTPRD, Wikipedia, Open Buildings, The Architect's Newspaper, Positive Magazine
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When we speak of design, we often refer to architecture, furniture and graphics, but rarely do we talk about letters. "Typeface" is a typography term that refers to the visual characteristics of a set of letters and numbers, and no typeface is more universally used, imitated, loved and loathed than Helvetica. A Google image search of the word Helvetica speaks volumes of its iconic place in 20th century communication design. What is is that makes this typeface so ubiquitous?
Developed in 1957 by Swiss designer Max Miedinger, Helvetica is the Modernist's dream - a sans serif typeface that eschews ornamentation for clean, crisp function. And it can be found absolutely everywhere.
On the New York City subway:
In the mark of some of the world's largest corporations:
And all over the place in graphic designer tributes such as this one (clearly inspired by the Russian artist Kasmir Malevich):
It arouses a range of emotions among designers. Some love it. Some don't:
Some imitate it. It's younger cousin Arial (developed in 1982), has been packaged with Microsoft operating systems since 1992 and is one of the most widely used computer fonts today.
I'll admit, the more I look at Helvetica, the more I start to notice that the same rules that dictate good typography apply to good design as well. You don't have to go far to see it, we have some on our website. Check out some of these fixtures below. There's the variable shaped bowl of Helvetica's "d" and "b" that reminds me of this Lite Source Kito Green Table Lamp:
And there are the straight, flattened finials at the top of both the Helvetica letter "t" and this Possini Euro Design Triple Column Wood Table Lamp:
I'm not suggesting that one influenced the other, but it is fun to note how the formal rules that govern typeface design are very much at play in the larger design world. The Modernist design principles that informed the creation of Helvetica are as ubiquitous as the the typeface itself.
Love it, hate it, use it, or don't. Whatever your reaction to Helvetica, one thing is certain: it's everywhere.
Images: AM Design Perspectives, Thirteen, Thomas J. Quinn, DeviantArt, Roberto Blake, Whitezine, Penny Finder,
As you know, here at ESL we are modern design enthusiasts, which is usually what we like to talk about. However, today we're going to acknowledge someone who enjoys going back in time to truly understand today's favorite modern elements. JF Chen is a curator of antiques with showroom locations in Los Angeles. Chen is not shy to say, his general collecting parameters include an unrelenting addiction to mid-century modern Danish. His collections are endless and his knowledge of what defines a classic is not to be rivaled.
He greets architects, designers, celebrities and design aficionados daily, helping them find what they're looking for, but making sure to stay out of designing their projects. He explains in an interview " I don't know how to sell, but I sure know how to buy".
Chen has recently published a book, "Collecting Eames" (above) surveying the iconic modern designs of Charles and Ray Eames. Upon debut of the book, he also held an exhibit at his showroom. I am, of course, very sad I did not know about this sooner.
The Eames chair he decided to use on the cover of his book is one of most rare Eames chairs in existence. Recently sold for low six figures, it was a prototype high-back armchair designed by the Eameses and Eero Saarinen in 1940-1941 for the Museum of Modern Art Organic Design Competition.
This business is a family affair, Chen seen here (above) with his wife and two daughters. Like in any industry, the more you love what you do, the better you are at it. However, with Chen the saying might also be the more you love Eames, the more you collect.
It's important to develop your own aesthetic and favorite products, whether they are modern or a combination of different styles. But sometimes it's also fun to know where those designs came from and truly understand their form and function.
To learn about another Eames lover, be sure to check out this video with Ice Cube.
Images: 1stt Dibs, Exl Deal, Architecture Digest
Wishing you all a Happy 4th of July! Whatever it is you choose to do just remember to have fun, relax, and be safe!
Spending time with family and friends in the backyard is always one of my favorite ways to spend Independence Day and this outdoor cabana seems perfect for it!
Za Bor Architects developed this project for a popular TV show called, Dachniy Otvet, meaning The Village Talks. Unfortunately the TV show was not filmed at my home... I will have to find an equally cool backyard to celebrate Independence Day.
The concept behind this reality show intrigues me and this architecture definitely brings new meaning to outdoor cabana. The show invites designers and architects to re-design parts of a home for selected home-owners that agreed to participate in the show. These home-owners wanted somewhere to spend more quality time outdoors. The white tinted wood creates fourteen planes that are attached together, forming this nautical shape. The result is an outdoor structure, perfect for BBQ'ing.
Red lighting fixtures, or any color for that matter, bring so much dynamic energy into any dining area while modern white dining chairs keep the space very clean, allowing nature and colorful accents to stand out.
The second part to the structure houses the outdoor kitchen. The char-grill is made of brick and steel and is sure to cook up a killer BBQ!
BBQ until the sun goes down, then turn on the modern outdoor lighting. This sculpture is sure to turn into a artistic light installation after sundown...
The architect’s concept for the construction is "transparency and openness which inspires a contact between man and nature".
Hope you get to spend some time outside today... Happy Independence Day from the ESL team!
Images: Do You Love Where You Live
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